Conventions:  a slash (/) in a line indicates that the next line should start here.  The actor speaking the first line would trail off where appropriate.

1                  Multi-Storey Car Park, exterior, day

1.1                                 close up on SIMON

[SIMON drives very slowly up a standard Multi-Storey Car Park ramp.  He taps his steering wheel in irritation.  We zoom out to see that his car is in fact a component of a train, made of car simulacra, travelling through the (imaginary) MULTI-STOREY CAR PARK WORLD theme park.  There is a recorded tour GUIDE VOICE, which sounds like E L Wisty, or perhaps John Major.]

GUIDE VOICE   Welcome to Multi-Storey Car Park World, where dreams become concrete!

[The car passes up the ramp and turns.  Cut to]

1.2                                 wide shot on SIMON’s car

[Track with SIMON’s car.  We pass by a set of gallic figures.  They are apparently gesticulating wildly at a blackboard with the car park [P] symbol drawn on it, possibly tapping temples in “are you mad?”-mime.  Several wear striped jerseys or berets.]

GUIDE VOICE   It was in the late 1920s that a plucky group of French ex-flying aces decided to open a luxurious car-park in central Paris – the Banville garage.  It was to be the height of motoring style, a place where the crowned heads of Europe would meet, park their cars, and discuss petrol prices in comfort and luxury.

[We pass another copy of the same group.  However, one of them now looks as though he has been goosed by a ghost.  Two [P]s have been arrayed vertically on the board.]

GUIDE VOICE   Then, one of the group had an idea!  Could a car park be placed on top of a car park?  If so, could the capacity of a normal car park be doubled?  Many of the group were sceptical of such outlandish thinking.

[Next group.  A bottle of Cognac has appeared in a figure’s hand.  A different figure now bears the expression of shock.  The board now has six parking symbols in a column.]

GUIDE VOICE   But yet more daring ideas were to come.  If a car park can be built on top of a car park ... then a car park can be built on top of a car park on top of a car park!  This was the idea which was to set the world alight.

[Next group.  All are now lying about in attitudes of drunkenness, except one who is having a final “Eureka” moment.  Possibly a game of noughts and crosses, or an obscene graffito, now adorns the board.]

GUIDE VOICE   A helical ramp completed the story.  The [appalling French accent] “parking royal” was born.  At its gala opening in 1927, a grand-prix standard race was held there, although history does not relate which plucky daredevil won that particular contest.  However, the owners had won a far more important race – the race to improve town-centre parking facilities forever!

[We move on to a ritzy group of pseudo-twenties-style industrialists and their wives and mistresses – spats, bob cuts, top hats.]

GUIDE VOICE   Fulfilling its owners’ ambitions, the sixth floor of the Banville Garage had a putting green, three indoor tennis courts, a gymnasium, and a restaurant.  It was a playground for the wealthiest car-owners of Paris, and with a showroom on the ground floor, it offered the opportunity to own cars to the very cream of society.

[We move on to three exceedingly boring-looking men in identical grey suits, looking fondly at a box.]

GUIDE VOICE   It was this model that National Car Parks followed when designing their first building ....

[But the GUIDE VOICE is interrupted by a car-horn.]

1.3                                 close-up on SIMON

[SIMON jumps.  He realizes he has been daydreaming, and the traffic queue he was in is moving on.]

2                  Office, interior, day

2.1                                 Mid-wide shot

[DAVE and CHARLIE sit in cubicles.  The office is pretty standard-issue, with just a hint of eighties retro horribleness.  SIMON walks in from the right.  He hangs his coat on a tree and walks past them.]

DAVE      Hi, mate!

SIMON     [abstracted]  Oh, hi.  Hi, Charlie!

CHARLIE   Traffic again?

[SIMON looks disturbed at his recent fantasy.]

SIMON     Something like that ... yeah.

[Pan left with SIMON as he walks down the office.  Sudden stop as the camera reaches RUTLEDGE, a pompous, middle-aged middle manager whose dignity is represented by his spectacular moustache, or so he believes.  They are fortuitously in front of a clock reading 0908, beneath which is a daily calendar on Wednesday May 5th 2004.]

RUTLEDGE  Late again, Lander?  What time do you call this?

SIMON     Ten past ...

RUTLEDGE  Ten past ten, and it mustn’t happen again!  I mean, I know it’s a Friday, but it’s unprofessional, Lander, really /unprofessional

SIMON     [looking at clock]  Are you sure it’s ten past ten, sir?

[RUTLEDGE looks at the clock, which flips to 0909, then his watch, which he taps.]

RUTLEDGE  Ruddy repair shop ... daylight robbery ....

SIMON     Oh, and it’s Wednesday, sir.

[RUTLEDGE looks at SIMON in a vaguely accusatory manner.  Wordlessly, they walk past each other; SIMON exits frame left, RUTLEDGE frame right.]